Here are some details of work that I will be showing there…
This large hooped piece is all about my joy in seeing wild flowers across the city where I live.
The work I am showing is all inspired by wild flowers in the landscape. There will be original framed pieces, giclee prints and greetings cards.
I will be running workshops this year on the theme of wild flowers – the first in June at Land of Oak and Iron in Gateshead, the second (so far!) in Gallery 45 in Felton, Northumberland so if you want to join in with this wildflower mania of mine (!) come along to a workshop or, now we can travel a bit more, how about a trip to Harlow Carr – I hear there’s a lovely cafe!
A slow start to 2021, cold dark mornings occasionally enlivened with a magic dusting of frost, or snow. There are applications that I need to write and projects that I need to plan but there is also a need to organise family life as we start another term of home schooling and zoom meetings. We all need a space to work and a space to live. All the aphorisms of a new year seem muted as we need to keep safe and try to get on with our lives.
New work is progressing as I explore landscape in more abstract forms, starting with small pieces that will help me create larger compositions. I aim to produce a large number of these small pieces, learning all the time about how to pair hand stitch with machine, and which stitch format works best for bold or delicate marks. They are like puzzles that I solve, moving pieces of fabric around and adding layers of thread until the balance feels right. The satisfaction of achieving this balance helps to override the constant anxiety running through life at this moment. It is good to focus my thoughts on the places that inspire me, remembering what it is like to be out on the hills or at the edge of the sea.
When the light gets too poor to stitch I have a new mound of inspiring books to mine for ideas and understanding. Reading ‘The Salt Path’ by Raynor Winn has made me want to pull on my walking boots and head for the hills. Not possible at the moment but I can travel through my stitches. ‘Birds Britannica’ and ‘Flora Britannica’ are full of stories and folklore that encourage more ideas for context and ‘The Lost Spells’ is just a beautiful book to get lost in. When its grey and dark outside cozying up with a book and a large mug of tea is delicious, especially when there is Parkin to munch on too.
So for now, I shall pull on my boots to explore local green spaces; I’ve seen the first snowdrops or snow piercers pushing through the leaf mould and frost, soon there will be crocuses and ammonites too. A brisk walk, a mug of scalding hot tea and then on to the work bench, sketchbooks to fill and an exhibition to plan. Bring it on 2021, bring it on.
Developing a piece of work is a slow process, an idea percolates, sketches are drawn and samples made – although in my case the samples often end up being included in the finished piece – not so great for the sketchbook but it does advance the making process!
The idea for this hare has been percolating for a long time. Ever since I stitched one for a community project, I have wanted to incorporate a creature into one of my wildflower scenes. My daily dog walks during the current Covid 19 lockdown, are proving inspirational in that I’m noticing daily changes in the wildflowers, bushes and trees in the little local park – though I don’t think my lovely canine companion is going to appear in stitch!
He usually gets a treat when I stop to take a photograph, its the best way to keep him still for long enough to take a good shot!
This partial lockdown does mean that I’m not getting to see my beloved wild flower border, though it’s just a mile away from home but seeing wood anenomes, honesty, marsh marigolds, forget me nots and yarrow coming into bloom is lovely. And the number of birds I can see and hear is wonderful.
Anyway, I started with a sketch of this hare in the hedgerow and he has been growing daily over the last few weeks. Collaged from hand dyed fabrics onto pelet vilene and then stitched with free motion embroidery
Now he has been cut free from his background and is ready to fit into the hedgerow, I ve added a base layer of greens to a sheer chiffon ground – recycled fabric already printed with some leafy images.
I positioned the hare and used a contrast thread to mark his outline so that I could matched the stitched grasses to those in my initial drawing.
Now I’m starting to add in the wild flowers, the Lady’s Bedstraw has been stitched on soluble fabric, the knapweed and clover have been stitched onto more hand dyed fabric and then cut away from the base. The tricky bit is to decide when to stitch the wire hoop into the background fabric – I’m using an embroidery hoop whilst I stitch but it is not quite as big as the wire one, I’m just concerned that if I stitch it to the wire then it will be harder to machine stitch if I decide to add more detail – patience required at this stage!
Getting back to my daily dog walk – I started to stitch the red clover yesterday and this morning, saw some growing in the park – it’s as if I have conjured it up – or did my subconscious draw it to my mind on a previous walk?