Here are some details of work that I will be showing there…
This large hooped piece is all about my joy in seeing wild flowers across the city where I live.
The work I am showing is all inspired by wild flowers in the landscape. There will be original framed pieces, giclee prints and greetings cards.
I will be running workshops this year on the theme of wild flowers – the first in June at Land of Oak and Iron in Gateshead, the second (so far!) in Gallery 45 in Felton, Northumberland so if you want to join in with this wildflower mania of mine (!) come along to a workshop or, now we can travel a bit more, how about a trip to Harlow Carr – I hear there’s a lovely cafe!
There are now three permanent home workers in this household, the girls are doing lessons from home and I’m still stitching away as long as the light permits. Sometimes my very civil partner joins us – when he’s not on the rota to teach keyworker kids in his school. It’s busy, its different, but we’re making a new routine. It’s nice to have company at lunchtime! Although our post lunch walk included me piggybacking those with unsuitable footwear over the muddy bits – not easy with teenagers!!
I’m continuing with my Journey Mapping series of small pieces, it’s nice to see them selling well in my Folksy shop. I’m moving towards more water inspired pieces now. The current one is called Rip Tide. These photographs show it’s development, as I add in each layer of fabric and stitch. The part of Arran that I know best looks over to the small island of Pladda, between these two points the tide can be quite treacherous, hiding reefs under the waves that can catch sailors unawares. It does make the sea look very dynamic and that’s what I was trying to show in this piece.
It seems easier to stitch sideways with my machine rather than forward and back to create these stitch lines, good job my machine is a tough and sturdy one!
It’s time to do some more drawing sampling now, ready to start on the next series of these pieces. Then I will start to stitch some larger work, hopefully sometime soon we will be able to get out to galleries and exhibit work again and I intend to have a big series of these pieces ready to go.
Developing a piece of work is a slow process, an idea percolates, sketches are drawn and samples made – although in my case the samples often end up being included in the finished piece – not so great for the sketchbook but it does advance the making process!
The idea for this hare has been percolating for a long time. Ever since I stitched one for a community project, I have wanted to incorporate a creature into one of my wildflower scenes. My daily dog walks during the current Covid 19 lockdown, are proving inspirational in that I’m noticing daily changes in the wildflowers, bushes and trees in the little local park – though I don’t think my lovely canine companion is going to appear in stitch!
He usually gets a treat when I stop to take a photograph, its the best way to keep him still for long enough to take a good shot!
This partial lockdown does mean that I’m not getting to see my beloved wild flower border, though it’s just a mile away from home but seeing wood anenomes, honesty, marsh marigolds, forget me nots and yarrow coming into bloom is lovely. And the number of birds I can see and hear is wonderful.
Anyway, I started with a sketch of this hare in the hedgerow and he has been growing daily over the last few weeks. Collaged from hand dyed fabrics onto pelet vilene and then stitched with free motion embroidery
Now he has been cut free from his background and is ready to fit into the hedgerow, I ve added a base layer of greens to a sheer chiffon ground – recycled fabric already printed with some leafy images.
I positioned the hare and used a contrast thread to mark his outline so that I could matched the stitched grasses to those in my initial drawing.
Now I’m starting to add in the wild flowers, the Lady’s Bedstraw has been stitched on soluble fabric, the knapweed and clover have been stitched onto more hand dyed fabric and then cut away from the base. The tricky bit is to decide when to stitch the wire hoop into the background fabric – I’m using an embroidery hoop whilst I stitch but it is not quite as big as the wire one, I’m just concerned that if I stitch it to the wire then it will be harder to machine stitch if I decide to add more detail – patience required at this stage!
Getting back to my daily dog walk – I started to stitch the red clover yesterday and this morning, saw some growing in the park – it’s as if I have conjured it up – or did my subconscious draw it to my mind on a previous walk?