Category Archives: North East Coast

Connecting with Landscape

2017 has rolled in with strange weather. One day freezing, the next double digit temperatures. Winter weather alternating with, what feel like, cool English Summer days. Goodness knows how nature will cope with these crazy days. 


It has given me chance to get out walking in the hills and at the coast, feeling a connection with the landscape. The more society disappoints me the greater the appeal of land and sea. 


A sense of space, peace. A feeling that nature will still be there; serene, powerful, beautiful, long, long after this political posturing that makes me so distraught . I walk in the landscape; amongst the hills, by the sea, seeking affinity, looking for signs of continuity, harmony. Walking thinking, looking and recording. What makes it beautiful, what will endure? 

New work emerges in sketchbook and sample form, getting more deeply engrossed in the detail of landscape, connecting colour, texture and form to understand, better, the nature of a place. 


Working with blue; weathered and worn, like flaky paint on coastal huts, layered like sky loaded with clouds bearing weather in many guises, textured like waves, building and crashing, thrusting spray and foam across rocks and shoreline.


Trying to capture the essence in colour and stitch. A new focus and challenge for new challenging times. 

Something Fishy & All things Holy (T)!


Getting ready for tomorrow’s workshops- blanks cut and painted ready for participants to add their creativity! 

Some of the demonstration pieces will be for sale at the Holy T Art Fair – to raise funds for the project. See you there 23/24 September!!


And this view of Holy Isle should be framed and ready to go too! 

Great North Art Show

Tomorrow is delivery day for the Great North Art Show!! So my bank holiday is being spent adding mirror plates and searching for bubble wrap!

I’m taking five pieces to the show – but I think one of them is still in Edinburgh so there may have to be a last minute substitution….

I’m hoping  to take Glimpses of Summer

Glimpses of Summer

Sometimes the sun breaks through the clouds.

Arran Breeze

P1020133

Stonechat Lands

Stonechat cropped square

(I’ve just had this one re-framed and added in some sneaky extra details! Can you spot the difference?

There’ll be some more images soon of the show itself, I’m so looking forward to it!

 

 

All at Sea

Surging towards a market next Saturday 28th May  – Newcastle ArtsFest organised by the Lovely Lesley! My ‘transport co-ordinator’ loves it because he gets to drive up to Gray’s Monument in Newcastle city centre! So, I’m busy finishing some new pieces and planning the set up. It’s always lovely to be in the centre of Toon, lots of people to chat too and lots of lovely artwork to admire – get yourselves there if you’re in the area!

DSCF3700DSCF3699

These two are awaiting their frames, the weather has turned a little stormy! I’ve been developing ideas with my hand dyed fabrics, trying to emphasise mood and texture.

Meanwhile, it’s all a bit shipshape at the Arts in Health project I work on too – this time its all about boats. Those owls we made are lovely but maybe a bit Autumnal? So I thought we could all sail away on a seaside theme over Summer, redoing our window display with a new installation.

2016-05-16 13.51.26

A sample driftwood boat

One relative on the Chemo’ ward kindly donated some old map books, so the pages are going to be repurposed as sails. I have sterilised lots of bits of driftwood and disassembled a roll of willow edging (Poundland !)  So this week we’ll be making driftwood boats to sail over the seven seas. Then we’ll add needle-felted lettering across the top of the scene and a silk painted ocean at the bottom. That should keep us all busy for a few weeks!

I’ll post more images as the project develops. (And if you want to know how to sterilise driftwood – you need to boil it in a very big pan for several hours, changing the water a few times too! Steamy!!)

 

 

 

My Journey – Unveiled

Today saw the first unveiling of the triptych. It was such a lovely event. As the work was unveiled a very strong ‘Ooh’ echoed around the room. Everyone seemed to be delighted with how the work had developed and it was great to be able to talk with people about their responses to the work – and to share in person the ideas and processes behind its development.

So now I have to think about what to do next! I have plans (of course!) and I’m itching to start some new work. After the glories of the morning, the afternoon has been spent doing admin’. I’ve applied to the Great North Art Show that takes place in Ripon Cathedral in September. Four and a half months away – but seeing how fast the first few months of 2016 have slipped by…I’d better get motoring on that machine again!

I’m going to be doing a short talk about the importance of colour in my work later this week too – Jesmond Library is the venue, this Thursday from 6pm. I’ll be joined by two lovely talented artists Ailsa Miller and Cath Hodson. The evening will be hosted by the fabulous Lesley McNish the mastermind behind the Loveartnortheast Art Markets. So pop along if you would like to find out more about colour in art!

Time to dig out those sketchbooks now!

My Journey – Journey’s End

That’s it. I have stitched my last stitch, ends tied in, loose threads trimmed. Photos taken.

All of a sudden it’s done…and I feel quite bereft.

(Then I remember the aching arms and the workroom that really needs tidying.)

My last job is to take it to the framer’s tomorrow. Anxious thoughts..will it stretch well over the frames. Will the three pieces ‘marry up’ as I intend them to? Will there be any last minute ‘touch up’ jobs to do?

DSCF3430

There’s been some choppy waters – broken needles, manipulating large pieces of fabric through the small space of a sewing machine, time speeding by…aching limbs after stitching for hours on end, sometimes I felt it would overcome me but I kept on going

DSCF3417

Until finally, this week has seen me speeding towards the conclusion of more than three months of workshops, planning, drawing and stitching.

DSCF3416

And then all of a sudden, the harbour is in sight, Journey’s End indeed.

I’ve learnt so much through this project, stretching myself as an artist , working around issues of size and scale, incorporating other people’s stories into one theme, planning and delivering everything to a deadline. It has been a joyous task to work on, thank you everyone for the opportunity.

But now its time to move on, the April showers are holding back and I’m off to enjoy the sunshine. The triptych will be unveiled later this month and then I’ll write about the meaning behind the imagery, with photos of it in situ at Heaton Baptist Church.

Now, I think I left my family somewhere under a pile of fabric! Better go and find them!

DSCF3440

 

My Journey -green hills and chimney pots

DSCF3309

This is what I’ve been working on today – the top section of the third panel and look…! The first buildings are appearing!  I should also mention that yes, I really did need three different pairs of scissors – little silver ones for threads, purple handled ones for cutting papers, black shears for FABRIC ONLY..sorry I didn’t mean to shout but woe betide anyone who uses the fabric shears for anything other than cloth!!

The sky now links across all three panels and so do the green hills. So that meant I could move on to the first buildings (anyone recognise that ruined windmill? I thought we needed a local landmark – and it was fascinating to read about this and the lost ‘Millionaires Row of Heaton !)

A lot of the detail in the triptych will come from the way I lay down the fabric pieces – in the sky, the blues are fairly horizontal, whereas the clouds tend to curve around. The grassy hills have the pieces running in a sort of diagonal curve to show the shape of the hill. The trees are treated a bit more like the clouds, with smaller pieces placed in curved or upright lines to show the form of the trees. I also stitch differently over the different surfaces.

In the first of these three pictures, you can see that I’ve used some zigzag stitches on the grassy area and long straight lines in brown tones on the path.

The middle picture shows the windmill with bushes behind it, the foliage was stitched down first, with looping stitches to represent the leaves and direction of growth, Then I added the windmill structure, using straight stitch to hold down the pieces and a very small zigzag to thicken up the window frame and door arch.  In this ‘first fix’ to use builders’ terms (well, I am adding buildings!) I don’t put in too much detail, just enough to show what each section is. As each panel gets ‘filled in’ with the colour pieces, I will go back and work into them more, using machine and hand stitching to add detail and give a sense of depth – more detail in the foreground.

I need to work more on the path and road in this panel and the left hand one, at the moment I’m thinking that they stick out a little too much, so it looks like road works tomorrow – and the small matter of a lighthouse to construct!

Until the next time…:) ( and I’ll update the list of names as to who’s fabric has been used too!)