Tag Archives: project

Notes from an exhibition 

Joan Eardley -A Sense of Place

Joan Eardley has become a favourite artist of mine. An exhibition of the Glasgow Girls at the Kirkcudbright Art Gallery introduced me to her paintings of Glasgow children. I was drawn to the use of collage and lettering in the background, and the bold colours. Curious to find out more, I began online research and was struck by the energy Eardley captures in her land and seascapes. I tracked down an exhibition in the Clydebank Gallery  a year later  – and worked a visit into that summer’s holiday itinerary (!)

It was fantastic to be able to observe first hand the work that I had seen on line. The landscape paintings are around a metre square,the seascapes even bigger, as if she was trying to make life-size representations of the scene in front of her, so powerful. Imagine trying to manipulate a canvas or board that size outdoors in Scottish weather – Summer and Winter! The texture and colour were inspiring. As I stood in front of the work I tried to follow through the process; looking at underlying colours, often very strong and dark, the way thicker paint was applied in parts of the composition and, how in places real plant matter was embedded in thick layers of paint. There was a book supporting the exhibition. I bought it and took it home to study.

I started trying to build the ideas I gained from studying Joan Eardley’s work into my own textile art; stronger colours, more consideration of composition, thinking about how and where to build up texture. Learning from another artist is empowering, encouraging creativity. The biggest lesson is that reminder that in working in situ ideas and feelings flow into the work.

Then, in December 2016, I found out that there was to be another, more comprehensive exhibition of Joan Eardley’s work at the Scottish Museum of Modern Art in Edinburgh – it took me til’ the February Half Term break to persuade my family that they really wanted a weekend in Edinburgh! We compromised – I took them to the Camera Obscura, they accompanied me to the gallery. We met up with friends there, it was good to be able to discuss the work with a great pal – and ex art teaching colleague (Hello Linda!)

This exhibition includes work from throughout Eardley’s all too short career. Completed paintings are supported with sketches and studies, photographs and artefacts and a wonderful film of the artist at work. The work is divided into five rooms, themed through chronology and subject matter. Again, I was entranced by process, the use of media, expensive paints used sparingly then splurged or padded out with filler to create texture. Sketchbook pages stuck together to make a big enough surface to draw on. Collage worked into paintings and sketches. Again, I was struck by the sense of life and energy in the work. And there was another book…

I got the chance to return to this exhibition on Saturday. It was a very short follow up visit- only an hour to go through the five rooms. I was on a weekend trip with the 12 year old, ostensibly to visit the Knitting and Stitching Show and hit the shops with her left over Christmas money. So, we negotiated and an hour was what I got! Focus and determination was the plan. In each room, I studied the pieces that most grabbed my interest, standing in front and typing notes directly on my phone (must get faster at touch typing!) So what follows is the transcript of those notes, with images from the books I bought to remind me. Even reading through them now I get that rush of adrenaline and excitement – it is so important to continue to study other artists’ work. It gives me enthusiasm and ideas, a sense of determination to continue with my work so I get to what I want to achieve. The exhibition is on until the 21st May 2017. I don’t think I’ll get another chance to see it but I have my memories – and I hope there’ll be another one soon….

Fields Catterline 

Be bold bright blue and orange ochre in with greens and charcoal

Obvious layers thick rough texture

Brush marks long embroidery stitch

 

Field with wild flowers 1960-2



Dashes and squiggles with patches on top

What happens if I add larger pieces (organza) over small?

Marks go in & out of focus

Turquoise lime green salmon pink

July Fields 1959


Flat patches either side of texture flower wedge

Patchwork raw edges

Thick thread stitching in texture

That blue again

Summer Fields 1961 


Speedy marks texture change direction

Colours layer and smudge together

Small clear details catch the eye

Real plant matter smothered in dripping paint

Harvest 1960-1


T shape composition

One side blurred – yellow ochre

Just fabric- minimal stitch

Centre -green/ochre heavy texture

Right- greens clearer bold marks over thinner paint

Fields under Snow 1958


Many grey and ochres large smooth patches overlap

Charcoal & burnt umber on top

Brush marks unravel like frayed yarn

Beehives Storm Approaching 1961


Sky smooth blended

Green jade under grey umber

Black black house

Rough tweed tea texture field

Aggressive wind whipped marks

Sketches




Pastel on paper in sketch book

Rust marks

Stitch collage on top

So much energy
Winter Day Catterline 1957-60


Turquoise under umber white peach

Smooth sky

Textures land

Mud fest
Gable end of tenement 1955


Charcoal umber terracotta flashes

Big flat fabric patches

Stitched over

Organza
Two Glasgow Lassies


That pinny

Flame over blue grey

Is it torn, faded, dirty?

Lettering emerging

Stained glass colours

Child before a tenement window 1958-60

Illuminated window- lace curtain?

Positive/negative lace/graffiti
Glasgow Corner shop 


Sketchbook collages of local shops

New series collage raw edges mounted on stained white
Children playing in a street 1960


Pen n ink drawings – become machine stitch sketches?
Girl and Chalked Wall 1955-60


Lettering (for Julia)

Texture on dress French knots

Such a Chagall blue
Summer Sea 1962


So big bold and wild

Paint drips and slashes across the wide sea

Shore is dark as peat

Surf crashes desperately on to it

Short thick vertical marks become wide dripping horizontals

Taste the salt spray
Winter Sea III 1958


What was it like to paint in that storm?

Everything crashing rapid direction changes

Difficult to see through pouring rain?
Fishing Nets Catterline 1962


Ochre n khaki beach thin brush texture visible

Cross hatch netting
Seascape 1956


Sunset fire colours in the waves

Sun thick like butter on burnt toast cliffs

What colour!

The Last Shift begins…

Safely back from the excitements of Essex and Carters Steam Fair (more to follow soon!) Monday was the first day of the ‘Last Shift Project’ to make a primary school banner – and what a busy day it was!

Working with toddlers (and their grown ups!), two nursery classes and a reception class, we ‘spiral dyed’ the fabric that will be used to make the banner. I wanted to use spiral dyeing as it produces similar results to Tie Dye -without the need for knots!

As the project is inspired by the time span of the Greenside Pit – from 1906 to 1966, the spiral dyeing linked to the Sixties. I’ll be linking print and design ideas to the other decades, with the help of older children in the school.

On arrival at school I quickly got set up in the hall and added the auxiliaries to the dye powders in the bottles. The dye  becomes ‘active’ once the chemical water and washing soda solutions are added. So for best results the dyes need to be used on the day they’re mixed. Trying to use them a day or two later results in faded colours.

Dye bottles

Ready to add the auxiliaries

Spiral dyeing is a great project to do with little ones as once the dye is mixed in sports cap bottles the children just have to choose colours and add a few drops to the fabric spirals.

I was kept busy ‘spiralling’ the pieces of white cotton throughout the day, I think there are over sixty of them!  But the hardest task was getting little hands into adult sized vinyl gloves! We managed it though, everyone wore gloves and aprons and, as far as I know (!) most of the children kept their hands, and uniforms, free of dye!

Once the children had finished adding the dye to their pieces of cloth, the spirals were carefully placed in clear plastic bags and kept in a plastic crate. The dye needs to ‘cure’ in the fabric for about 24 hours before washing off to ensure bright colours – its also a good idea to prewash the fabric to remove any industrial finish that might impede the uptake of the dye and then to soak the fabric in chemical water before adding the dye. The chemical water helps the fabric stay damp for longer, so the dyes have more time to react with the fabric fibres.

I took all of the fabrics back to my workshop and rinsed them off the following day.

As you can see its important to wear rubber gloves as quite a lot of dye comes off when the fabrics are rinsed. It’s always nerve wracking – will there be any colour left?? Will the spirals look exciting??

Well, take a look…

On the line

lots of different colours

Lovely colours

beautiful colour mixes

pegged out

sky blue pink!

All the squares will be ironed and then I’ll take them back to school next week so the children can see what they made. Then it’ll be time for designing and printing…after a few more days of sketchbook work for me!

 

Fabulous Funfair

I am so excited to be finally paying a visit to the fabulous Carters Steam Fair in June. Given my love of funfairs and vintage style how could i not be drawn to this! I’ll certainly have my sketchbook and camera prepared  as I experience rides like these.

Carters Chair o planeCarters galloper-picCarters Steam yachts-pic

I’ve already stitched some pieces inspired by funfairs, particularly the Hoppings here in Newcastle. I used to visit the funfairs at Scarborough and Blackpool as inspiration for my final degree show back in the day too!

I’m hoping I can put a new sketchbook full of ideas together from my trip to the wonderful Carters Steam Fair. Here’s hoping for sunny weather to capture all those beautiful colours and shining surfaces!

 

Summer Time Workshop

Just to show that it hasn’t ALL been about maps lately!

Back at the end of May I did a One day Workshop with a group of Y9 High School students. They had been given the opportunity to exhibit as part of the Alnmouth Arts Festival 2015 in the lovely Aln Gift Shop . So we had the task of making something appropriate in one day.

After discussion with their teacher, I took the group through my ‘Tin Can Metamorphosis’ workshop, where simple mackerel tins are upcycled to become beautiful miniature works of art. The Y9 group used the technique of needle felting to create seaside and holiday scenes that were then housed in the upcycled tins.

(I should point out that the tins were emptied of their fishy contents, washed and dried before they became artworks – and yes, I eat a lot of mackerel!)

As you will see below, the outcomes were stunning, all reflecting the individuality of their makers and showing great skill and creativity.

Big thanks to all the Y9 pupils and Mrs Brown, I really enjoyed working with you all and hope you had a great day as well!

Many thanks to the Aln Gift Shop for taking the time to display the work so beautifully, staging it with similarly themed gifts and artworks from their stock.

And thank you to the Alnmouth Arts Festival for giving me a name check in their programme:)

Aln 1 Aln 2 Aln 3

Belle Vue Map Workshop

Today’s workshop with the residents of Belle Vue was lovely. We were in their beautiful conservatory, using the big table as a print table for the morning. So along with printing dozens of houses, we made some pennants and MORE pom-poms! (We need a lot so if you fancy making some green ones for us….)

 
We got through a lot of wet wipes as that red printing ink is very sticky! Luckily no one seemed to mind😄

In all, about half a dozen residents were involved with the activities, with several others keeping an eye to make sure we did a good job. It was interesting to find out where people lived before they came to Belle Vue; Second Avenue, King Edward Street and Warwick Street were all mentioned. 

 
We chatted about what we liked to do in and around Heaton too, deciding that it’s a lovely area, with great shops, lots of cafes and all the green spaces. People enjoy shopping, watching the dogs play in the park and stopping in one of the cafes for a nice cuppa!

  Pom Pom earrings anyone?

What has been lovely about this project has been working across ages and abilities. Everyone has enjoyed getting involved with making the maps and I hope that lots of people will come along to see the final outcome on the day of the Festival – JUNE 27 Don’t Forget!!

The final workshop is with St Gabriel’s Brownies on Friday – see you ther Brownies!