Tag Archives: Exhibition

Notes from an exhibition 

Joan Eardley -A Sense of Place

Joan Eardley has become a favourite artist of mine. An exhibition of the Glasgow Girls at the Kirkcudbright Art Gallery introduced me to her paintings of Glasgow children. I was drawn to the use of collage and lettering in the background, and the bold colours. Curious to find out more, I began online research and was struck by the energy Eardley captures in her land and seascapes. I tracked down an exhibition in the Clydebank Gallery  a year later  – and worked a visit into that summer’s holiday itinerary (!)

It was fantastic to be able to observe first hand the work that I had seen on line. The landscape paintings are around a metre square,the seascapes even bigger, as if she was trying to make life-size representations of the scene in front of her, so powerful. Imagine trying to manipulate a canvas or board that size outdoors in Scottish weather – Summer and Winter! The texture and colour were inspiring. As I stood in front of the work I tried to follow through the process; looking at underlying colours, often very strong and dark, the way thicker paint was applied in parts of the composition and, how in places real plant matter was embedded in thick layers of paint. There was a book supporting the exhibition. I bought it and took it home to study.

I started trying to build the ideas I gained from studying Joan Eardley’s work into my own textile art; stronger colours, more consideration of composition, thinking about how and where to build up texture. Learning from another artist is empowering, encouraging creativity. The biggest lesson is that reminder that in working in situ ideas and feelings flow into the work.

Then, in December 2016, I found out that there was to be another, more comprehensive exhibition of Joan Eardley’s work at the Scottish Museum of Modern Art in Edinburgh – it took me til’ the February Half Term break to persuade my family that they really wanted a weekend in Edinburgh! We compromised – I took them to the Camera Obscura, they accompanied me to the gallery. We met up with friends there, it was good to be able to discuss the work with a great pal – and ex art teaching colleague (Hello Linda!)

This exhibition includes work from throughout Eardley’s all too short career. Completed paintings are supported with sketches and studies, photographs and artefacts and a wonderful film of the artist at work. The work is divided into five rooms, themed through chronology and subject matter. Again, I was entranced by process, the use of media, expensive paints used sparingly then splurged or padded out with filler to create texture. Sketchbook pages stuck together to make a big enough surface to draw on. Collage worked into paintings and sketches. Again, I was struck by the sense of life and energy in the work. And there was another book…

I got the chance to return to this exhibition on Saturday. It was a very short follow up visit- only an hour to go through the five rooms. I was on a weekend trip with the 12 year old, ostensibly to visit the Knitting and Stitching Show and hit the shops with her left over Christmas money. So, we negotiated and an hour was what I got! Focus and determination was the plan. In each room, I studied the pieces that most grabbed my interest, standing in front and typing notes directly on my phone (must get faster at touch typing!) So what follows is the transcript of those notes, with images from the books I bought to remind me. Even reading through them now I get that rush of adrenaline and excitement – it is so important to continue to study other artists’ work. It gives me enthusiasm and ideas, a sense of determination to continue with my work so I get to what I want to achieve. The exhibition is on until the 21st May 2017. I don’t think I’ll get another chance to see it but I have my memories – and I hope there’ll be another one soon….

Fields Catterline 

Be bold bright blue and orange ochre in with greens and charcoal

Obvious layers thick rough texture

Brush marks long embroidery stitch

 

Field with wild flowers 1960-2



Dashes and squiggles with patches on top

What happens if I add larger pieces (organza) over small?

Marks go in & out of focus

Turquoise lime green salmon pink

July Fields 1959


Flat patches either side of texture flower wedge

Patchwork raw edges

Thick thread stitching in texture

That blue again

Summer Fields 1961 


Speedy marks texture change direction

Colours layer and smudge together

Small clear details catch the eye

Real plant matter smothered in dripping paint

Harvest 1960-1


T shape composition

One side blurred – yellow ochre

Just fabric- minimal stitch

Centre -green/ochre heavy texture

Right- greens clearer bold marks over thinner paint

Fields under Snow 1958


Many grey and ochres large smooth patches overlap

Charcoal & burnt umber on top

Brush marks unravel like frayed yarn

Beehives Storm Approaching 1961


Sky smooth blended

Green jade under grey umber

Black black house

Rough tweed tea texture field

Aggressive wind whipped marks

Sketches




Pastel on paper in sketch book

Rust marks

Stitch collage on top

So much energy
Winter Day Catterline 1957-60


Turquoise under umber white peach

Smooth sky

Textures land

Mud fest
Gable end of tenement 1955


Charcoal umber terracotta flashes

Big flat fabric patches

Stitched over

Organza
Two Glasgow Lassies


That pinny

Flame over blue grey

Is it torn, faded, dirty?

Lettering emerging

Stained glass colours

Child before a tenement window 1958-60

Illuminated window- lace curtain?

Positive/negative lace/graffiti
Glasgow Corner shop 


Sketchbook collages of local shops

New series collage raw edges mounted on stained white
Children playing in a street 1960


Pen n ink drawings – become machine stitch sketches?
Girl and Chalked Wall 1955-60


Lettering (for Julia)

Texture on dress French knots

Such a Chagall blue
Summer Sea 1962


So big bold and wild

Paint drips and slashes across the wide sea

Shore is dark as peat

Surf crashes desperately on to it

Short thick vertical marks become wide dripping horizontals

Taste the salt spray
Winter Sea III 1958


What was it like to paint in that storm?

Everything crashing rapid direction changes

Difficult to see through pouring rain?
Fishing Nets Catterline 1962


Ochre n khaki beach thin brush texture visible

Cross hatch netting
Seascape 1956


Sunset fire colours in the waves

Sun thick like butter on burnt toast cliffs

What colour!

British Craft Trade Fair 2017

bubble wrap

Drowning in a sea of bubblewrap as I get everything wrapped up ready to take down to Harrogate on Saturday! I’ve spent an enjoyable day deciding on just how I want to display everything. Pleasantly surprised to discover that I do have enough work to fill my 2 x 1 m shell space. I know this because I mocked up the show in my, almost, 2 x 1 m bay window !!

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There’ll be some jiggling and adjusting but I’ve got an idea now, and in the shell space I’ll have a bit more height so things will have a bit of breathing space. I’m glad I didn’t go for the additional storage unit – there’s no room!!

I did spend/waste quite a lot of time finding the fishing line that I use to find work – why did it take so long to find? Because it was in my exhibition tool kit/vanity case – where it was meant to be but obviously the LAST place I looked for it!

The wholesale price lists, labels and bio are typed up, printed off and mounted on foam board. I’ve still got a whole day to finalise things so I’m feeling quite calm – which feels quite odd!

I’m very grateful to Heaton Baptist Church for the loan of one third of the ‘My Journey’ triptych, and to St Bede’s Palliative Care Unit for the loan of one third of their triptych. I wanted to show community projects alongside my fine art textiles work, and that Heaton Map is just too darn big! (All of these pieces can be found in earlier blog posts).

The rest of the show will be made of recent work and a few old favourites, as I want to give a flavour of everything that I do.

So now its time to pack the tool kit, the step ladders and my trusty flask, and some smart clothes!

I’ll try and do an update whilst I’m at the show..see you in a few days!

Connections at Gallery 45

Gallery 45 is a gorgeous venue in Felton, Northumberland. From Saturday, the gallery will be holding the latest exhibition of Textile Art made by members of the Fusion Textile Artists Network. The exhibition is called ‘Connections’. The theme has been freely interpreted by the members of the network, so there will be a wide range of subject matter and textile processes to view.

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Kathleen Thompson – Sunset 

We spent a weekend working with Textile Artist Shelley Rhodes in the Long Room at the gallery last Autumn. Some of the pieces in this new exhibition have developed from that workshop.

jillpaterson1

Jill Paterson

The work will be exhibited in the main gallery and in the Long Room and will be on display from March 4th until May 5th. There will be an opening event where you will be able to meet some of the artists this Saturday, 4th March, from 11am – 1pm – refreshments will be available!

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Deborah Cooper

The gallery itself is open from 10 – 5 Tuesday to Saturday and 11-4 on Sunday.

For my part, I’ve been exploring the connection one feels with the landscape; how that natural space can be healing and soothing. I love the feeling of being somewhere that is so open, beautiful and powerful. The landscape precedes us and will continue long after we are gone. There is much research to show that connecting with nature is beneficial to our health and well being. I have been visiting and recording the landscapes of Northumberland and Scotland and it is this work that I will be including in the exhibition.

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Donna Cheshire – Glen Rosa;Swirling thoughts, tumbling water, 2017.

All the pieces are created using hand coloured fabrics and free machine embroidery. It is quite a slow process but it encourages contemplation  and I like the painterly effect it achieves.

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Donna Cheshire – Frozen in Time, 2017

As part of the exhibition programme, I will be running my Tin Can Metamorphis Workshop on Saturday 25th March. If you’d like to come along to this please contact the gallery direct!

Great North Art Show

Tomorrow is delivery day for the Great North Art Show!! So my bank holiday is being spent adding mirror plates and searching for bubble wrap!

I’m taking five pieces to the show – but I think one of them is still in Edinburgh so there may have to be a last minute substitution….

I’m hoping  to take Glimpses of Summer

Glimpses of Summer

Sometimes the sun breaks through the clouds.

Arran Breeze

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Stonechat Lands

Stonechat cropped square

(I’ve just had this one re-framed and added in some sneaky extra details! Can you spot the difference?

There’ll be some more images soon of the show itself, I’m so looking forward to it!

 

 

Summer Time and the stitching is…

The stitching is mostly being fitted around the daughters on school holiday 🙂

We all went to the Last Shift Banner picnic on Saturday afternoon. It was great to see the school banner on display with its bigger brothers and sisters from local collieries!

The picnic was in full swing when we got there, with brass band, folk singing, rapper dancing and shuggy boats. A wonderful way to finish off the festival.

So now its time to get on and develop new work for Autumn shows and exhibitions. I’m really taken with the idea of doing some pieces based on hedgerow flowers. Has anyone else noticed how beautiful, and prolific, the wildflowers are this year? It would be lovely to capture them in stitch and cloth. I’ve been sketching and photographing for a while so I think its time to start experimenting now. Perhaps with soluble fabric as I think the spaces and layers between the plants are important.

These lovely flowers are on the bike route into town, a great border between the bike and foot paths!

I’ve had some time out to see the textiles art that local branches of the Embroiderers’ Guild have displayed to celebrate Capability Brown’s 300th birthday. The teatowel display at Gibside looked gorgeous, blowing in the breeze in the walled garden. There are more pieces on display in the chapel, and another collection at Wallington too. Well done to all my friends taking part in this – we had fun spotting all your work!

 

Gallery 45 Coast Exhibition

What a lovely way to spend the day! We started with a trip to the lovely Gallery 45 in Felton, Northumberland, so I could drop off some of my work for the ‘Coast’ exhibition that starts tomorrow. There are several artists taking part –   Fiona Carvell , Sarah O’DowdPeter Davidson , Linda Mumba , Deirdre Foster  so there’s  a wide range of media (and prices!), go along and take a look!

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After that, we just had to go and try out the menu at the Running Fox Bakery just down the road on the edge of the Coquet River. It was a breakfast brunchy delight and kept us fuelled all day! (I’d recommend the Foxless Scone – eggs, mushrooms and tomatoes on a cheese scone – yum!)

So, then we thought we’d go and seek inspiration – and burn off some calories – with a walk on the beach. There was a glimmer of light and a sliver of blue in the sky and we hit lucky – I’m beginning to believe that the sun always  shines on Alnmouth!

I love the way the long grasses frame the views on Northumbrian beaches. It was a bit too breezy to hang about, or paddle (!) but a brisk walk on a Northern beach in a Northerly wind does clear the head!

We only saw a few other folks, along with a lot of oyster catchers, a beautiful sight on a fabulous Friday.

Contemporary Textiles Fair 2015

So here I am in Teddington, at the Landmark Arts Centre, for the annual Contemporary Textiles Fair. It’s a fabulous show, full of beautiful textile art work, garments and accessories. the artists and makers are all on hand to talk about their work with visitors.

I’ve met so many lovely people here today. People have enjoyed looking at my work and discovering how I make it, it’s good to talk (even better to make some sales)!! People are surprised that I travel so far but it’s worth it😀

Most of these little Puffin badges have flown off to new homes now- so I’m glad I risked setting off the hotel fire alarm to finish them! ( I use an iron to melt the backs to flatten them☺️) tonight’s job, finishing off some silver lining cloud brooches is less risky😊

I hope I’ll get chance to chat to some more of the lovely stall holders tomorrow – there are so many gorgeous things to see!