My interview for the Whitley Bay Carnival Lockdown Art Market.
New work is my focus, I’m applying for several, larger shows so I’ll need work to display (& sell!) I’ll let you know which shows if I get accepte!
I would like to make larger pieces but these are obviously time consuming, and more difficult to transport. So, I’ve decided to focus on 40×40 landscapes for a while- my plan is to get 4 done in the next 6 weeks 😱 that’ll keep me out of mischief (but p’raps not too busy for school and national politics 😉)
Our family week in Wales was fantastic- why did none of you tell me sooner how gorgeous West Wales is??
In between sea swimming and ice creams there were cliff walks on the beautiful Pembroke Coastal Path and visits to Tenby and St David’s. My sketchbook didn’t get quite as much use as I’d hoped but my mind is full of experiences and my photo album is full to bursting.
So this week I’m sketching out the four images that I’m hoping to develop. I’m drawing them to the chosen scale and taking a quick tracing of the main composition to help with building up the appliqué.
Then I get the paints out. I’m using watercolour, water based dyes, inktense and some acrylic. When I paint, it is never the final stage- it is very definitely part of my process; painting allows me to assess how I am going to construct a piece. I can think about colour, texture and composition.
When I’m mark making with brush or pencil I’m thinking about how to transfer it to cloth and stitch. When I apply colour I’m thinking about what fabric and threads I’ll need (thanks Oliver Twists for the threads 😉) The process of painting and drawing helps me to develop my composition ideas into textiles and work through any issues.
I’m pleased with the two images I’ve developed so far, now I’m deciding whether to crack on with these in fabric, or to focus on getting the other two designs developed to paint stage. I’m tempted to start the textiles but I think it would be interesting to get the 4 designs done and then work on the four pieces.
What would you do?
Joan Eardley -A Sense of Place
Joan Eardley has become a favourite artist of mine. An exhibition of the Glasgow Girls at the Kirkcudbright Art Gallery introduced me to her paintings of Glasgow children. I was drawn to the use of collage and lettering in the background, and the bold colours. Curious to find out more, I began online research and was struck by the energy Eardley captures in her land and seascapes. I tracked down an exhibition in the Clydebank Gallery a year later – and worked a visit into that summer’s holiday itinerary (!)
It was fantastic to be able to observe first hand the work that I had seen on line. The landscape paintings are around a metre square,the seascapes even bigger, as if she was trying to make life-size representations of the scene in front of her, so powerful. Imagine trying to manipulate a canvas or board that size outdoors in Scottish weather – Summer and Winter! The texture and colour were inspiring. As I stood in front of the work I tried to follow through the process; looking at underlying colours, often very strong and dark, the way thicker paint was applied in parts of the composition and, how in places real plant matter was embedded in thick layers of paint. There was a book supporting the exhibition. I bought it and took it home to study.
I started trying to build the ideas I gained from studying Joan Eardley’s work into my own textile art; stronger colours, more consideration of composition, thinking about how and where to build up texture. Learning from another artist is empowering, encouraging creativity. The biggest lesson is that reminder that in working in situ ideas and feelings flow into the work.
Then, in December 2016, I found out that there was to be another, more comprehensive exhibition of Joan Eardley’s work at the Scottish Museum of Modern Art in Edinburgh – it took me til’ the February Half Term break to persuade my family that they really wanted a weekend in Edinburgh! We compromised – I took them to the Camera Obscura, they accompanied me to the gallery. We met up with friends there, it was good to be able to discuss the work with a great pal – and ex art teaching colleague (Hello Linda!)
This exhibition includes work from throughout Eardley’s all too short career. Completed paintings are supported with sketches and studies, photographs and artefacts and a wonderful film of the artist at work. The work is divided into five rooms, themed through chronology and subject matter. Again, I was entranced by process, the use of media, expensive paints used sparingly then splurged or padded out with filler to create texture. Sketchbook pages stuck together to make a big enough surface to draw on. Collage worked into paintings and sketches. Again, I was struck by the sense of life and energy in the work. And there was another book…
I got the chance to return to this exhibition on Saturday. It was a very short follow up visit- only an hour to go through the five rooms. I was on a weekend trip with the 12 year old, ostensibly to visit the Knitting and Stitching Show and hit the shops with her left over Christmas money. So, we negotiated and an hour was what I got! Focus and determination was the plan. In each room, I studied the pieces that most grabbed my interest, standing in front and typing notes directly on my phone (must get faster at touch typing!) So what follows is the transcript of those notes, with images from the books I bought to remind me. Even reading through them now I get that rush of adrenaline and excitement – it is so important to continue to study other artists’ work. It gives me enthusiasm and ideas, a sense of determination to continue with my work so I get to what I want to achieve. The exhibition is on until the 21st May 2017. I don’t think I’ll get another chance to see it but I have my memories – and I hope there’ll be another one soon….
Be bold bright blue and orange ochre in with greens and charcoal
Obvious layers thick rough texture
Brush marks long embroidery stitch
Field with wild flowers 1960-2
What happens if I add larger pieces (organza) over small?
Marks go in & out of focus
Turquoise lime green salmon pink
July Fields 1959
Patchwork raw edges
Thick thread stitching in texture
That blue again
Summer Fields 1961
Colours layer and smudge together
Small clear details catch the eye
Real plant matter smothered in dripping paint
One side blurred – yellow ochre
Just fabric- minimal stitch
Centre -green/ochre heavy texture
Right- greens clearer bold marks over thinner paint
Fields under Snow 1958
Charcoal & burnt umber on top
Brush marks unravel like frayed yarn
Beehives Storm Approaching 1961
Green jade under grey umber
Black black house
Rough tweed tea texture field
Aggressive wind whipped marks
Stitch collage on top
So much energy
Winter Day Catterline 1957-60
Gable end of tenement 1955
Big flat fabric patches
Two Glasgow Lassies
Flame over blue grey
Is it torn, faded, dirty?
Stained glass colours
Child before a tenement window 1958-60
Illuminated window- lace curtain?
Glasgow Corner shop
Sketchbook collages of local shops
New series collage raw edges mounted on stained white
Children playing in a street 1960
Pen n ink drawings – become machine stitch sketches?
Girl and Chalked Wall 1955-60
Lettering (for Julia)
Texture on dress French knots
Such a Chagall blue
Summer Sea 1962
So big bold and wild
Paint drips and slashes across the wide sea
Shore is dark as peat
Surf crashes desperately on to it
Short thick vertical marks become wide dripping horizontals
Taste the salt spray
Winter Sea III 1958
What was it like to paint in that storm?
Everything crashing rapid direction changes
Difficult to see through pouring rain?
Fishing Nets Catterline 1962
Ochre n khaki beach thin brush texture visible
Cross hatch netting
Sunset fire colours in the waves
Sun thick like butter on burnt toast cliffs
Drowning in a sea of bubblewrap as I get everything wrapped up ready to take down to Harrogate on Saturday! I’ve spent an enjoyable day deciding on just how I want to display everything. Pleasantly surprised to discover that I do have enough work to fill my 2 x 1 m shell space. I know this because I mocked up the show in my, almost, 2 x 1 m bay window !!
There’ll be some jiggling and adjusting but I’ve got an idea now, and in the shell space I’ll have a bit more height so things will have a bit of breathing space. I’m glad I didn’t go for the additional storage unit – there’s no room!!
I did spend/waste quite a lot of time finding the fishing line that I use to find work – why did it take so long to find? Because it was in my exhibition tool kit/vanity case – where it was meant to be but obviously the LAST place I looked for it!
The wholesale price lists, labels and bio are typed up, printed off and mounted on foam board. I’ve still got a whole day to finalise things so I’m feeling quite calm – which feels quite odd!
I’m very grateful to Heaton Baptist Church for the loan of one third of the ‘My Journey’ triptych, and to St Bede’s Palliative Care Unit for the loan of one third of their triptych. I wanted to show community projects alongside my fine art textiles work, and that Heaton Map is just too darn big! (All of these pieces can be found in earlier blog posts).
The rest of the show will be made of recent work and a few old favourites, as I want to give a flavour of everything that I do.
So now its time to pack the tool kit, the step ladders and my trusty flask, and some smart clothes!
I’ll try and do an update whilst I’m at the show..see you in a few days!
Gallery 45 is a gorgeous venue in Felton, Northumberland. From Saturday, the gallery will be holding the latest exhibition of Textile Art made by members of the Fusion Textile Artists Network. The exhibition is called ‘Connections’. The theme has been freely interpreted by the members of the network, so there will be a wide range of subject matter and textile processes to view.
We spent a weekend working with Textile Artist Shelley Rhodes in the Long Room at the gallery last Autumn. Some of the pieces in this new exhibition have developed from that workshop.
The work will be exhibited in the main gallery and in the Long Room and will be on display from March 4th until May 5th. There will be an opening event where you will be able to meet some of the artists this Saturday, 4th March, from 11am – 1pm – refreshments will be available!
The gallery itself is open from 10 – 5 Tuesday to Saturday and 11-4 on Sunday.
For my part, I’ve been exploring the connection one feels with the landscape; how that natural space can be healing and soothing. I love the feeling of being somewhere that is so open, beautiful and powerful. The landscape precedes us and will continue long after we are gone. There is much research to show that connecting with nature is beneficial to our health and well being. I have been visiting and recording the landscapes of Northumberland and Scotland and it is this work that I will be including in the exhibition.
All the pieces are created using hand coloured fabrics and free machine embroidery. It is quite a slow process but it encourages contemplation and I like the painterly effect it achieves.
As part of the exhibition programme, I will be running my Tin Can Metamorphis Workshop on Saturday 25th March. If you’d like to come along to this please contact the gallery direct!
Tomorrow is delivery day for the Great North Art Show!! So my bank holiday is being spent adding mirror plates and searching for bubble wrap!
I’m taking five pieces to the show – but I think one of them is still in Edinburgh so there may have to be a last minute substitution….
I’m hoping to take Glimpses of Summer
(I’ve just had this one re-framed and added in some sneaky extra details! Can you spot the difference?
There’ll be some more images soon of the show itself, I’m so looking forward to it!
The stitching is mostly being fitted around the daughters on school holiday 🙂
We all went to the Last Shift Banner picnic on Saturday afternoon. It was great to see the school banner on display with its bigger brothers and sisters from local collieries!
The picnic was in full swing when we got there, with brass band, folk singing, rapper dancing and shuggy boats. A wonderful way to finish off the festival.
So now its time to get on and develop new work for Autumn shows and exhibitions. I’m really taken with the idea of doing some pieces based on hedgerow flowers. Has anyone else noticed how beautiful, and prolific, the wildflowers are this year? It would be lovely to capture them in stitch and cloth. I’ve been sketching and photographing for a while so I think its time to start experimenting now. Perhaps with soluble fabric as I think the spaces and layers between the plants are important.
These lovely flowers are on the bike route into town, a great border between the bike and foot paths!
I’ve had some time out to see the textiles art that local branches of the Embroiderers’ Guild have displayed to celebrate Capability Brown’s 300th birthday. The teatowel display at Gibside looked gorgeous, blowing in the breeze in the walled garden. There are more pieces on display in the chapel, and another collection at Wallington too. Well done to all my friends taking part in this – we had fun spotting all your work!
What a lovely way to spend the day! We started with a trip to the lovely Gallery 45 in Felton, Northumberland, so I could drop off some of my work for the ‘Coast’ exhibition that starts tomorrow. There are several artists taking part – Fiona Carvell , Sarah O’Dowd, Peter Davidson , Linda Mumba , Deirdre Foster so there’s a wide range of media (and prices!), go along and take a look!
After that, we just had to go and try out the menu at the Running Fox Bakery just down the road on the edge of the Coquet River. It was a breakfast brunchy delight and kept us fuelled all day! (I’d recommend the Foxless Scone – eggs, mushrooms and tomatoes on a cheese scone – yum!)
So, then we thought we’d go and seek inspiration – and burn off some calories – with a walk on the beach. There was a glimmer of light and a sliver of blue in the sky and we hit lucky – I’m beginning to believe that the sun always shines on Alnmouth!
I love the way the long grasses frame the views on Northumbrian beaches. It was a bit too breezy to hang about, or paddle (!) but a brisk walk on a Northern beach in a Northerly wind does clear the head!
We only saw a few other folks, along with a lot of oyster catchers, a beautiful sight on a fabulous Friday.
So here I am in Teddington, at the Landmark Arts Centre, for the annual Contemporary Textiles Fair. It’s a fabulous show, full of beautiful textile art work, garments and accessories. the artists and makers are all on hand to talk about their work with visitors.
I’ve met so many lovely people here today. People have enjoyed looking at my work and discovering how I make it, it’s good to talk (even better to make some sales)!! People are surprised that I travel so far but it’s worth it😀
Most of these little Puffin badges have flown off to new homes now- so I’m glad I risked setting off the hotel fire alarm to finish them! ( I use an iron to melt the backs to flatten them☺️) tonight’s job, finishing off some silver lining cloud brooches is less risky😊
I hope I’ll get chance to chat to some more of the lovely stall holders tomorrow – there are so many gorgeous things to see!